Rodney Glick
Born 1961, Perth, Western Australia, Lives and works in Perth
Education
Master of Fine Arts, University of Tasmania, 1989-90
Graduate Diploma in Art and Design, Curtin University of Technology, 1986
Bachelor of Fine Arts, Western Australian Institute of Technology, 1983-85
Solo Exhibitions
2010 Ryan Renshaw Gallery, Brisbane
2009 Punching the Devil, Salihara Art Space, Jakarta, Indonesia
2009 Punching the Devil, Gaya Contemporary Art Space, Bali, Indonesia
2009 24hr Panoramas, Grass Mountain Artist Village Gallery, Taipei, Taiwan
2008 God-Favoured: Rodney Glick—Surveyed, Lawrence Wilson Art Gallery, The University of Western Australia, Perth
2008 Down on his Luck, Canterbury Museum of Art, Kent, England
2007 PICA Pool Party, Perth Institute of Contemporary Art, Perth
2005–7 Artist in Focus: Rodney Glick & Lynnette Voevodin 24HR Panoramas, Art Gallery of Western Australia, Perth
2005 Defaced, Goddard de Fiddes Contemporary Art, Perth
2004 Ambitious? Who, Me? Newish work by Rodney Glick, Museum of Contemporary Art, Sydney
2003 Office Paintings, Goddard de Fiddes Contemporary Art, Perth
2002 Purpose Built Institutions, Goddard de Fiddes Contemporary Art, Perth
2001 Furniture, Goddard de Fiddes Contemporary Art, Perth
1999 Constructions, Goddard de Fiddes Contemporary Art, Perth
1999 Palace of Blue, Galerie Hafemann, Wiesbaden, Germany
1996 Cinematography, Galerie Hafemann, Wiesbaden, Germany
1996 Speak White–Blackmail, Christoph Merian Foundation, Basel, Switzerland
1994 The Art of Not Painting, The Glick International Collection, Galerie Düsseldorf, Perth
1994 How Many Women Have Gardens in Their Bedroom? Galerie Düsseldorf, Perth
1993 A Guide for the Thoroughly Confused, Niagara Galleries, Melbourne
1992 A Guide for the Thoroughly Confused, Perth Institute Contemporary Art, Studio One, Perth
1992 The Alice Black Theory of Emerging Art, Adelaide Festival Center, Adelaide; Galerie Düsseldorf, Perth
1992 We are no wiser today than yesterday, save for one thing…, Art Gallery of Western Australia, Perth
1991 The Condension of Ideas, Niagara Galleries, Melbourne
1991 We are no wiser today than yesterday, save for one thing…, Roslyn Oxley9 Gallery, Sydney
1988 Deformed Industrial Products, Galerie Düsseldorf, Perth
Group Exhibitions
2009 Collection, Lawrence Wilson Art Gallery, UWA, Perth, Australia
2009 THING, Art Gallery of Western Australia, Perth, Australia
2009 Compostism, Linking Park, Taipei Artist Village, Taipei, Taiwan
2008 New Acquisitions 2008, Museum of Contemporary Art Sydney, NSW
2008 1968, Linden Gallery, Melbourne, VIC
2008 Recent Acquisitions, Lawrence Wilson Gallery, UWA, Western Australia
2008 Silver – 25 Years of Artrage, Perth Institute of Contemporary Art, WA
2008 Inhabit Project, Brisbane Museum, Queensland
2008 Multicultural Cosmology Art Exhibition, Cosmology Gallery,
2008 Gravity Discovery Centre, Gingin, Western Australia
2007 The Roving Eye, Gallery 1601, The Embassy of Australia, Washington DC, USA
2007 The Phoenix Art Prize, Canberra School of Art, ACT
2007 The Iris Award, Perth Center for Photography, WA
2006 Office6000, level 2/6 Milligan St, Perth
2006 DinaÅLmicas de la Cultura Urbana, Novena La Bienal de la Habana, Havana, Cuba
2004 The Roving Eye, Gigantic Art Space, New York City, USA
2004 Australians at Play, Energex Contemporary Art Prize, Brisbane
2004 Gameplay, Breadbox Gallery, Perth
2003 FLUX: uncertain states: new art from Western Australia, Lawrence Wilson Art Gallery, The University of Western Australia, Perth
2003 Open Studio 4, Ssamzie Space, Seoul, Korea
2002 Shock, Art Gallery of Western Australia, Perth
2002 Iconografi as Metropolitanas, Pavilhao da Bienal, Parco do Ibirapuera, Sao Paulo Brazil
2002 Elvis Has Just Left the Building, Künstlerhaus Bethanien, Berlin, Germany; Perth Institute of Contemporary Art, Perth
2002 Peanut+Tortoise, Craftwest Centre for Contemporary Craft, Perth
2001-02 ARCO, Goddard de Fiddes, Madrid, Spain
2001 Works from the Collection, Art Gallery of Western Australia, Perth
2001 Do It, Lawrence Wilson Art Gallery, The University of Western Australia, Perth
2000 Melbourne Art Fair, Goddard de Fiddes, Melbourne
2000 HOME, Art Gallery of Western Australia, Perth
1999 The most expensive furniture in the world, Aherns Department Store, Perth
1999 Works from the Collection, John Curtin Gallery, Curtin University of Technology, Perth
1998 Haimish, Jewish Museum of Australia, Melbourne
1997 20 Years Celebration, Galerie Düsseldorf, Perth
1997 Power, Corruption and Lies, Institute of Modern Art, Brisbane
1997 Penumbrae, Perth Institute of Contemporary Art, Perth (touring exhibition)
1996 Foreign Correspondent, Gallery Karvasla, Tbilissi, Georgia
1996 Too Works, +/- Galerie, Basel, Switzerland
1995 The Wandering Jew, Jewish Museum of Australia, Melbourne
1995 100 Years of Sculpture, Art Gallery of Western Australia, Perth
1994 Pride of Place: recent acquisitions, Art Gallery of Western Australia, Perth
1993 Australian Perspecta, Art Gallery of New South Wales, Sydney
1993 25 Contemporary Jewish Artists, Westpac Gallery, Melbourne Festival Centre, Melbourne
1992 Radio G.I.C.F.M., St Georges Terrace, Perth
1992 Third Australian Contemporary Art Fair, Exhibition Building, Melbourne
1992 A tale of a King and Wise Man, Third Artists’ Regional Exchange (ARX3),
1992 Lawrence Wilson Art Gallery, The University of Western Australia, Perth
1991 Time’s Great Crisis, Galerie Düsseldorf, Perth
1991 Concealment, Festival of Perth, Galerie Düsseldorf, Perth
1990 Second Australian Contemporary Fair, Exhibition Building, Melbourne
Awards and Grants
2009 Taipei Artists Village, Taiwan
2008 Cemeti Art Space Residency, Jogyakarta, Indonesia
2007 Australia Council New Work Grant
2007 Memorial Foundation for Jewish Culture Fellowship
2005 Australia Council New Work Grant
2004 Energex Contemporary Art Prize, Brisbane
2004 ArtsWA Creative Development Fellowship, Perth
2003 Australia Council New Work Grant
2002 Australia Council New Media Grant
2001 City of Joondalup Art Award (with Lynnette Voevodin), Perth
2000 Australia Council VACB+ArtsWA New Work Grant
1998 Australia Council VACB New Work Grant
1998 Outside Studies Program, Curtin University of Technology, Perth
1997 Artflight Grant, ArtsWA
1996 Outside Studies Program, Curtin University of Technology, Perth
1989-2001 Numerous State and Federal New Work Grants
Commissions
2008 Cosmology Gallery Commission, University of Western Australia (c/ C. Hill, S. Hayes)
2007 King Street Art Center Atrium Redevelopment Commission, Perth
2007 Cosmology Gallery Commission, The University of Western Australia,
2007 Gravity Discovery Centre, Gingin, Western Australia
2006 Seabrook Fountain Commission, Perth
2004-06 Thomsons Lake Station Art Project Commission 1 Clock Tower Project,
2004 Perth Transport Authority, New Metro Rail, Perth (with Marco Marcon)
2003-05 Historic Footbridges Commission, Westrail, Perth
2004 Edith Cowan University Sculpture Park Commission, Joondalup
2002 International Performance Space, Tammin, Western Australia (with Tony York and Donna Dransfi eld)
2001 AIDS Memorial, (with CODA), Robertson Park, Perth
2001 Australian Museum of Mining and Prospecting Commission,(with Lynnette Voevodin), Kalgoorlie
2000 Sculptural Commission, Rockingham Justice Complex, (with CODA), Rockingham (client: Western Australian Government, Department of the Attorney General)
2000 Furniture Commission, Gallery 360, Perth
1999 Sculptural Commission, Watershed, Subiaco Stage 2, (with Kevin Draper), Perth (client: Subiaco Redevelopment Authority)
1997-98 Residential House, (with Graham Glick, Jane Wetherall and Geoff Warn), Perth
1997-99 Sculptural Commission, Subiaco Train Station, (with Kevin Draper and Marco Marcon), Perth
client: Subiaco Redevelopment Authority
1997 Sculptural Commission, King Street Art Center, Perth (client: State Government of Western Australia)
Sculptural Commission, Watershed, Subiaco Stage 1, (with Kevin Draper), Perth (client: Subiaco Redevelopment Authority)
1997 Sculptural Commission, Parmelia House Foyer, Perth (client: JMB Pty Ltd)
1994 Western Mining Sculptural Commission, QV1 Foyer, Perth
Residencies
2007–08 Cemeti Art Space Residency, Jogyakarta, Indonesia
2006 Apex Art Invitational Residency, New York, USA
2006 Stour Valley Arts Residency, Kent, England
2002–03 Artist in Residence, Ssamzie Space, Seoul, South Korea
1995–96 Artist in Residence, Cristoph Merian Foundation, Basel, Switzerland
Collections
State Art Collection, The Art Gallery of Western Australia
Curtin University of Technology Art Collection
Edith Cowan University Art Collection
Kerry Stokes Collection
Sue and Ian Bernadt Collection
John Cruthers
Royal Perth Hospital Art Collection
Horn Collection
Bibliography
Gary Dufour, Rodney Glick, Art World, vol.3, June-July, 2008
Jasmine Stephens, ‘Rodney Glick/Lynnette Voevodin’, Artlink, vol. 27, no. 1, 2007
Trish Sertori, ‘Woodcarver collaborates with Oz artist for 2008 exhibition’, The Jakarta Post, 5 April 2007
Marco Marcon, Rodney Glick, PICAPOOL PARTY, Essay, Perth Institute of Contemporary Art, Perth, 2007
Victoria Laurie, ‘Vast landscapes stretch beyond the canvas’, The Australian, 7 December 2006
Gary Dufour, ‘I am this’ in Rodney Glick and Lynnette Voevodin 24Hr Panoramas, Art Gallery of Western Australia, Perth, 2006
Robert Cook, ‘Space inside itself’ in Rodney Glick and Lynnette Voevodin
24Hr Panoramas, Art Gallery of Western Australia, Perth, 2006
Ted Snell, ‘Offi ce6000’, Artlink, vol. 26, no. 3, September 2006, p.89
Ted Snell, ‘Offi ce politics put into perspective’, The Australian, 28 March 2006
Novena La Bienal de la Habana 2006, DinaÅLmicas de la Cultura Urbana, Bienal, Havana, 2006, pp. 154-157
Ric Spencer, ‘Refl ections in our ancestry’, The West Australian, 9 July 2005, Weekend Extra, pp. 12-13
Ron Banks, ‘Big Win to Glick’, The West Australian, 4 October 2004, Today section p.7
Rosalie Higson, ‘Not to be Outdone, Artists Lap Up Prize Pool’, The Australian, 1 October 2004, p.3
The Australian National University ‘Rodney Glick–How to Create Richly Evocative Art
From Unlikely Corners’, Art Theory Workshop, August 2004
Andrew Frost, ‘Pawn Star’, Monument, no. 61, June/July 2004, pp.90-94
Clare Baker, ‘Splendid Isolation’, Vogue, June 2004, pp. 74-76
Peter Hill, ‘Storyteller with naked ambition’, The Sydney Morning Herald Weekend Edition, 27-28 March 2004, Spectrum, pp.8-9
John McDonald, ‘Clever Characters–Echoes of Memories’, The Australian Financial Review, 18 March 2004
Alex McDonald, ‘Ambitious? Who, Me?’, State of the Arts reviews, 15 March 2004
[www.stateart.com.au/sota/reviews/default.asp?fi d=2458]
Patricia Anderson, ‘So Your Point Is?’ The Weekend Australian, 13-14 March 2004, review, pp.18-19
Peter Hill, ‘Front Line of Ideas’, The Sydney Morning Herald Weekend Edition, 13-14 March 2004, pp.8-9
Elizabeth Fortescue, ‘Too Cool’, The Daily Telegraph, 13 February 2004, p.93
Nyanda Smith, ‘Sydney Gets a Glimpse of Glick’, The West Australian, 3 January 2004, pp.10-11
Gary Dufour, ‘Ambitious? Who, Me? Newish Work by Rodney Glick’, Australian Art Collector, no. 27, January-March 2004, pp.144-145
Marco Marcon, ‘Too late to agree with me, I’ve changed my mind’ in Ambitious? Who, Me? Newish work by Rodney Glick, Museum of Contemporary Art, Sydney, 2004, pp. 21-29
Rusell Storer, ‘Glick’s game’ in Ambitious? Who, Me? Newish work by Rodney Glick, Museum of Contemporary Art, Sydney, 2004, pp. 7-19
Felena Alach, ‘FLUX: uncertain states: new art from Western Australia’, Artlink, vol. 23, no. 4, December 2003, p.96
Leon van Schaik, ‘A place of ones own’, Architectural Review Australia, 2002, p.20
‘Projects: WA Memorial and Public Art’, Architecture Australia, vol. 91, issue 2, March/April 2002, p.34
Trevor Smith, ’Sydney’ in Iconografi as Metropolitanas, Alfons Hug ed. Fundacao Bienal de
Sao Paulo, Sao Paulo, March 2002, pp. 277-278
Victoria Laurie, ‘Art of time, art of place’, The Weekend Australian Magazine, 23 February, pp.34-35
Marco Marcon, ‘International Artists Space Kellerberrin Australia: WA wheatbelt artzone’,
Artlink, vol. 22, no. 2, June 2002, pp.42-45
Ted Snell, ‘Bizarre enough to be attractive’, The Australian, 11 February 2002, p.15
Sarah Palmer, ‘Hotbed of Pop Myths’, The West Australian, 30 January 2002, p.14
Ashley Crawford, ‘Australia: ARCO 2002’, Art & Australia, vol. 39, no. 2, 2002, p.27
Victoria Laurie, ‘Symbol of war on Aids’, The Australian, 30 November 2001, p.19
Sarah Miller, ‘Wheatbelt Town Goes Global’, RealTime, October/November 2001, p.26
‘Hidden secrets’, Perth Weekly, vol. 4, issue 38, 10-16 October 2001
Neville Weston, ‘Rodney Glick’, The West Australian, 27 October 2001, Big Weekend section p.6
Ingrid Jacobson, ‘Secrets Out’, The Sunday Times, 21 October 2001, p.12
Ron Banks, ‘Garage Doors’, The West Australian, 6 September 2001, p.7
Ron Banks, ‘Digitised Lives’, The West Australian, 28 September 2001, p.6
Megan Anderson, ‘Jaff a Box’, Inside Out Magazine, July 2001, p.79
The Pick+Shovel, ‘Vinyl Printed Painting’, Newsletter–Australian Prospectors & Miners
Hall of Fame, issue 15, August 2001, p.7 [http://www.mininghall.com/downloads/mhof_update_august01.pdf ]
Stephanie Britton, ‘Global Village Fair’, Art and Australia, vol. 39, no. 2, 2001, p.285
Rodney Glick, ‘Developing Art Culture’, AFWA Newsletter, vol. 10, issue 3, 2001, pp.26-27
Francis Pritchard, ‘Artwork’, Update, December 2000, p.2
Annette Pedersen, ‘Home’, Artlink, vol. 20, no. 2, July 2000, p.85
Gary Dufour, ‘Rodney Glick’ in Home, Art Gallery of Western Australia, Perth, 2000, |pp.78-85
S. Cole, ‘Room with a Groove’, Scoop, issue 13, Spring 2000, p.67
John Barrett-Lennard,’Rodney Glick: a guide for the thoroughly confused’, Art & Text, no. 69, May-July 2000, pp.48-49
Peter Hill, ‘The Encyclopedia of Photofi ctions’, Photofi le, April 2000, p.18
Evi Ferrier, ‘Outback to Internet’, Perth Weekly, March 1-7, 2000, p.14
Robert Cook, ‘Love that View’, The West Australian, 17 February 2000, Today section p.8
Donna Jenkinson, ‘Home’, The Sunday Times, 30 January 2000, p.17
Geoffrey London, ‘CODA’, Monument, Millennial Special Issue, 1999-2000, pp.66-69
Robert Cook, ‘Squeeze the Landscape’, The West Australian, Dec. 1, 1999, Today section p.11
Leon Van Schaik, ‘Houseglick’, Monument, issue 32, October/November 1999, pp.44-50
Marco Marcon, ‘The 1999 Aherns Installation Art’, Art Monthly, August 99, pp.26-27
Samantha Dowling, ‘AIDS Memorial’, Westside Observer, 6 August 1999, p.1
Victoria Laurie, ‘Perth AIDS memorial fi lls a crying need’, The Australian, 9 July 1999
Paul McGillick, ‘A Country Practice’, Monument, issue 30, June/July 1999, p.114
Robert Cook, ‘Shop Front for Whimsy’, The West Australian, 16 June 1999, Today section p.9
Ron Banks, ‘Art Treats in Store’, The West Australian, 11 June 1999, Today section p.6
Philip Goldswain, ‘Glick House’, Architect, Winter 99, pp.31-32
‘Public art fi nds timely function in Subi Centro’, The Post, 29-30 May, 1999, p.11
Annie English, ‘New Artists Books From WA’, Art Monthly, May 1999
Ingrid Jacobson, ‘Industrial Strength’, The Sunday Times, Home supplement, 25 April 1999, pp.12-13
M. Priest, ‘Art Rage’, The Sunday Times, April 4, 1999
Maggie Baxter, ‘Subiaco Square and Railway Station’, SubiCentro, April 1999
Victoria Laurie, ‘Paint The Town Red’, The Bulletin, 2 February 1999, pp.60-62
Natalie King, ‘Psychology of Retrieval’, Artlink, vol. 19, no. 1, pp.49-51
Marco Marcon, International Art Space, Pamphlet: 1998-1999
‘Artnotes’, Art Monthly (UK), September 1998, no. 219, p.17
Sarah Miller, ‘The Brave and the Brutalised’, RealTime, August/September 1998, p.11
Dorothy Erickson, ‘Entrepreneurs and Public art, Private sponsorship for Public Art begins to bloom in WA’,Artlink, vol. 18, no. 2, June-August 1998, p.71
Maggie Baxter, ‘Good or Bad Idea? The community as public art practitioner’, Artlink vol.18, no. 2, June-August 1998, p.75
David Bromfi eld, ‘King Street Commission’, The West Australian, Big Weekend section, 6 December 1997
Liz Tickner, ‘Kellerberrin’, The West Australian, 24 October 1997
David Bromfield, ‘Penumbrae’, The West Australian, Big Weekend section, 9 August 1997
Paula Silbert, ‘Parmelia House’, The West Australian, The West Magazine supplement, 3 May 1997
Walter Gomes, ‘Tour Talk’, Crate News, Art on the Move, December 1996
R. Storey, ‘Permaculture at Curtin’, The Australian, 8 May 1996
M. Meier, ‘Von der Pop Art zu Popcorn’, Baselland Zeitung, 10 February 1996
Robert Rooney, ‘The Wandering Jew’, The Australian, 12 January 1996
C. Bradshaw, ‘Come Into My Garden’, Curtin Gazette, December 1995
S. Ashkenazi, ‘Myth of Wandering Jew’, Jewish Times, 24 November 1995
‘QV1 Profi le’, Belle Corporate & Offi ce Design, Autumn/Winter 1995
John Stringer, Artists in Residence, Sandpiper Press, Perth, 1995
Ron Banks, ‘Glick’s Art Tricks’, The West Australian, 16 March 1995
David Bromfi eld, ‘The Art of Not Painting’, The West Australian, 10 December 1994
Marco Marcon, ‘How Many Women’, Art and Text, no. 49, September 1994, p.81
David Bromfield, ‘Tickle the Surreal Bone’, The West Australian, 9 July 1994
Murray Gill, ‘World Class Gallery on our Doorstep’, The Post, 28 June 1994
Sandra Warner, ‘Australian Perspecta 1993’, State of the Arts, issue 7, November 1993
David Broker, ‘Plaza Rendezvous’, Broadsheet, vol. 21, no. 5, December 1992
The West Australian, Inside Cover, 7 October 1992
Ken Bolton, ‘Purported Theories’, The Advertiser, 6 August 1992
Arna Eyers-White, ‘Alice Black’, DB Magazine, Issue 23, August 1992
Samela Harris, ‘Backchat’, The Advertiser, 24 July 1992
Ted Snell, ‘Fictional Realism’, The Australian, 23 July 1992
David Bromfield, ‘Amusing Times in Nostalgia’, The West Australian, 20 June 1992
Ron Banks, ‘Alice Black’, The West Australian, 17 June 1992
M. Amos, ‘Some Mustn’t See the Light’, The Sunday Times, 5 February 1992
David Bromfield, ‘Flight through the Self’, The West Australian, 4 January 1992
Ron Banks, ‘Jean Bernard Klus’, The West Australian, 16 December 1991
Rebecca Lancashire, ‘The World According to Glick’, The Age, 17 November 1991
David Bromfield, ‘Labours of Love’, The West Australian, 28 September 1991
Maggie Baxter, ‘Concealment’, Artline, vol. 2, no. 1 & 2, July 1991
Christopher Allen, ‘Gulf War’, The Sydney Morning Herald, 9 March 1991
Elwyn Lynn, ‘Idolising Imagery’, The Australian, 2 March 1991
M. Jones, ‘Profile’, Chameleon Magazine, March 1990
T. Michele, ‘The Glick International Collection’, Praxis Magazine, no. 22, 1988
David Bromfield, ‘Glick International Collection’, The West Australian, 1 December 1988
Publications/ Artist Books
Punching the Devil - Rodney Glick, Glick International, 2009
God Favoured, Rodney Glick – Surveyed, University of Western Australia, 2008
Rodney Glickand Lynnette Voevodin, COMPOSTISM–The Layering Art of Composting, The Glick International Collection, 2008
Rodney Glick, Rodney Glick, PICA pool party: 8th February–8th April 2007, Calendar,
Perth Institute of Contemporary Arts, 2007
Rodney Glick and Lynnette Voevodin, Old Jungle Sayings, The Glick International Collection, 2006
Rodney Glick and Lynnette Voevodin, Children’s Book Titles, Level 8,
The Glick International Collection, 2006
Rodney Glick, Earthquake, Western Desert, Nullarbor, The Glick International Collection, CD-Rom, 2006
Rodney Glick and Lynnette Voevodin, Rodney Glick and Lynnette Voevodin 24Hr
Panoramas, Art Gallery of Western Australia, Perth, 2006
Rodney Glick, Ambitious? Who me? : Newish work by Rodney Glick, Museum of Contemporary Art, Sydney, 2004
Rodney Glick, DO IT RIHGT, The Glick International Collection, 2003
Rodney Glick, ‘Rodney Glick—International Art Space, Kellerberrin and collaborative
public artwork projects’, in Conference Papers of the Interface Solutions Connecting
Project Teams with Artists: To Achieve the Triple Bottom Line, City of Mandurah, Perth, vol. I, 2001
Rodney Glick, Clouds of Consciousness, Rains of Reality and the Thunder God,
The Glick International Collection, 1998
Rodney Glick, The Palace of Blue, Curtin University of Technology, Perth, 1998
David Solomon and Rodney Glick, Alice Black’s Theory of Emerging Art,
The Glick International Collection, Perth, 1992
David Solomon and Rodney Glick, Klus: JoseÅL Palermo and the College of Disciples,
The Glick International Collection, Perth, 1991
David Solomon and Rodney Glick, Klus: The Handbook for the Finite Mind,
The Glick International Collection, Perth, 1990